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Sal (Tony Danza) has been the foreman at North Shore Fish, a frozen fish factory, for years. He and Flo (Mercedes Ruehl), the "batter" person on the assembly line, not only were high school sweethearts, but are currently carrying on an affair.

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With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies. The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse. Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs

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A traffic accident on a rural mountain road becomes a life changing experience for fifteen diverse travelers.

One legendary skateboarder. Twelve of the world’s top athletes. Two raging punk rock bands. Six months of planning. Nine days of rehearsal. One jaw broken in four places. One huge night in Las Vegas. Thousands of screaming fans. This isn’t like any recipe your mom ever made. This is The Making of Tony Hawk’s Boom Boom Huck Jam – a heart-stopping, edge-of-your-seat, out-of-your-head display of daredevil talent. In fact, it is the only action sports and music show that matters. This is your behind-the- scenes credential to watch how the show came together for the Las Vegas kickoff at the Mandalay Bay Events Center. Join Tony Hawk and his crew of skateboard wizards, models, and magicians as they gather on a $1.2 million customized ramp/track system for a show that had never before been created, and which others may only hope to imitate.

Hungering for some quality alone time with her new boyfriend, Ray, single mother Kaliope Harris leaves her young daughter, Anna, in the care of loving grandmother Mrs. Harris. An idyllic day at the beach turns to tragedy for the Harris family, however, when in the blink of an eye the precious young Anna seemingly disappears into the vast sand. While Mrs. Harris struggles to accept the startling disappearance, her enraged husband hounds the authorities to step up their search and Kaliope and Ray comb the beach in a desperate bid to retrace Anna's every step on that fateful and tragic day.

A young Irishman comes up with an unusual plan to get the money to emigrate to Tahiti. One of the Ealing comedies.

A sailor spends only one day on a shore but during this day he meets a lot of people and even meets a girl who is going to wait for him.